These works were presented in non traditional settings outside of theaters such as on roof tops and the sides of buildings.
Roof piece by trisha brown.
Trisha brown set some her choreographies in the public spaces of new york city at a time of explosive experimentation in neighbourhoods such as soho and paid special attention to urban and architectural elements an approach that had an enormous influence on many contemporary artists such as gordon matta clark.
After forming her own dance company in 1970 many of trisha brown s early works used the terrain of her adoptive soho.
The original version performed in 1971 spanned 10 blocks in lower manhattan.
Trisha brown dance company.
In 1970 brown cofounded the grand union an experimental dance collective and formed the trisha brown dance company.
In partnership with center for the art of performance at the university of california los angeles cap ucla as part of the trisha brown dance company.
A dance by trisha brown and a photograph by babette mangolte.
This version travels from new south wales all the way to brooklyn.
Trisha brown roof piece 1971 performance work by trisha brown.
For trisha the choreography was testing how improvised movements appear at a distance and are transformed by transmission by a succession of dancers mimicking with variation what they see and how what has been transmitted at one end is different when received at the other end.
Generations of trisha brown company dancers have performed roof piece all over the world.
Roof piece was first performed in 1971 in and around wooster and lafayette streets.
Dancers artistic staffs.
Brown s early works walking on the wall 1971 and roof piece 1971 were designed to be performed at specific sites.
She and some colleagues scattered themselves across the water tower capped roofs of soho and played a dance version of.